For the uninitiated, Neuromancer is, for my money, the premier cyberpunk novel. For me it was the rite of passage that led me to Bruce Sterling and, later on, Neil Stephenson (whose novel Snow Crash may be the greatest cyberpunk novel ever). It’s flawed as fuck and as much as I like it and William Gibson, Gibson has a tendency to build and build and build and then resolve everything in twenty or thirty pages. It drives me crazy. But I digress.
Based on William Gibson’s seminal cyberpunk novel, Hayden Christensen stars as Cage, a petty future Tokyo thief whose trade is jacking his brain directly into computer systems. When this skill is taken away from him, it seems his life is destined to end in an explosion of violence and drugs… until the mysterious Armitage offers redemption – at a price. Revelation follows revelation as Cage discovers that no one is in control of his or her own destiny and a new form of sentient technology is taking over. It’s down to Cage to face Neuromancer and do something he never has before: make the right choice.
Maybe it’s a misprint but the protagonist of the novel is named Case. It’s going to be interesting to see how this book is interpreted, too. It’s a fantastic story full of incredibly cool ideas and it’s the sort of setting that visual effects designers dream of. Everything is either slick and slightly ahead of the tech curve or dingy, shitty and slightly out of date. Chiba City was directly inspired by the cramped but visually rich sets from Ridley Scott’s Bladerunner.
For all my optimism, the director is Joseph Kahn who has directed nothing but music videos. His only feature credit is Torque which I never saw but was described to me as a 90 minute ad for Mountain Dew.The poster may, in fact, turn out to be the best part of the movie.
Click the image for a better look at the already incredibly sweet poster.